Creative documentation is my mechanism to reflect since 2004. In 2016, I made a transition by shifting focus from quality assurance to research-based contemporary art for socio-political interventions. My research problematizes place and history, by focussing on space and time as not yet colonized. This process also promotes change through talent and youth development and aims to contribute to the activation of a ‘new world’. 

In The Climate of History: Four Theses, Dipesh Chakrabarty questions whether globalization and global warming have been born out of overlapping processes to human understanding of the world. In relation to this question, my research is a layered project beyond national identity aiming at social awareness and political change. Hopefully this contributes to an appropriate global vision for the 21st century.

As grid for creative production, I have defined the context for my research as I kroywara I: I walk with you, you walk with I. This inter-multidisciplinary concept -based on European, African, and Native American technologies that I imagine entangled with other technologies such as Kundalini (an Indian spiritual and supernatural power in humans)- is a High Level Structure related to human agency and universal subjectivity.

As a philosophy of inclusion, I kroywara I is based on reconceptualized identification. This focus on encounters, based on a spatiality beyond the territorial, is a ‘different’ psychology that contributes to social practice. As reference to Earth’s altering ability, this project is entitled deeep blue